2019 Monograph. Salters Cottages, Dashwood Books, New York, NY.
2019 Interview. Woodward, Daisy. Peter Hujar Features in This New Photo Book About a Group of Exhibitionists, AnOther Magazine, online.
2019 Interview. Wicks, Julia. Close to Home: An Interview with Gary Schneider, AIPADexposure, online.
2019 Monographic/Group Catalog. Highly Personal: South African Artists and Their HandPrint Portraits, Schneider, Gary. Stephen Daiter Gallery, Chicago, IL.
2019 Book. Heiferman, Marvin. Seeing Science, UMBC/Aperture, New York, NY, p. 184-185.
2018 Catalog. The Extended Moment, Thomas, Ann. The National Gallery of Canada, Ottawa, Canada, cover, p. 2, 43, 131, 194, 219.
2018 Book. Analog Culture: Printer’s Proofs from the Schneider/Erdman Photography Lab, editor Jennifer Quick, Harvard Art Museums, Cambridge, MA.
2018 Article. Zieger, Susan. “Written on the Body”, Cabinet, issue 65, Brooklyn, NY, p. 43-50.
2018 Review. Feeney, Mark. “At Harvard, Seeing the Importance of the Print in Photography”, The Boston Globe,May 24, Boston, MA.
2018 Article. Flint, Kate. Flash!, Oxford University Press, Oxford, UK, p. 294-296, 353.
2017 Review. Matthews, Katherine Oktober. Portolio and review. Gup#55, Amsterdam, The Netherlands.
2017 Article. Williams, Jessica. “Building, Performing, and Translating the Negative”, VoCA Journal.
2016 Book. Saunders, Richard H. American Faces: A Cultural History of Portraiture and Identity, University Press of New England, Hanover, NH, p. 122, 123.
2015 Monograph. HandBook, South African Artists. Fourthwall Books, Johannesburg, South Africa.
2015 Monographic Catalog. Self-Portrait 1975-2015. Stephen Daiter Gallery, Chicago, IL.
2015 Article. Dorotinsky, Deborah. “Pictures, Limits, Returns. The Intimate Pictures of Gary Schneider”. CAIANA, Journal of Art History and Visual Culture of the Argentine Center of Art Researchers, #7, Buenos Aires, Argentina, p. 124-135.
2015 Article. Oktober Matthews, Katherine. “Heads”, GUP Magazine, #44 - RAW, Amsterdam, The Netherlands, p. 139-149, cover. Portfolio.
2015 Book. Lynn, Jenny. Eyebook, Damiani, Bologne Italy, unpaginated.
2015 Essay. Law-Viljoen, Bronwyn. "Portrait of the Artist as a Left Hand", HandBook South African Artists. Fourthwall Books, Johannesburg, South Africa.
2015 Portfolio. Oktober Matthews, Katherine. “Heads”, GUP Magazine, #44 - RAW, Amsterdam, The Netherlands, p. 139-149, cover.
2015 Blog-Portfolio. GUP Magazine Blog.
2015 Blog-Article. Rosenberg, David. “ The Intimate Results of Photographing Subjects for Eight Minutes Each”, Slate Magazine Photo Blog Behold.
2015 Catalog. Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, The Hood Museum of Art, Dartmouth College, Hanover, NH.
2014 Article. Smee, Sebastian. “You Are Here”, The Boston Globe, Jan. 11, Boston, MA., unpaginated.
2014 Book. The Photographer’s Playbook, edited by Jason Fulford and Gregory Halpern, Aperture, New York, NY, p. 308, 412.
2014 Book. Jones, Julie and Poivert, Michel. Histoires De La PhotoGraphie, Le Point du Jour/Jeu de Paum, Paris, France, p. 90.
2014 Catalog. Contemporary Art / South Africa. Ezra, Kate. Yale University Art Gallery, New Haven, CT.
2014 Book. Cyr, John. “Developer Trays”, powerhouse Books, Brooklyn, NY, p.114.
2014 Catalogue. "Striking Resemblance: The Changing Art of Portraiture". Gustafson, Donna. Sidlauskas, Susan. Zimmerli Art Museum, Rutgers, New Brunswick, NJ, p. 26, 82, 83, 152, 153.
2013 Book. Higgins, Jackie, “Why It Does Not Have To Be In Focus”, Thames & Hudson (UK), and Prestel (US).
2013 Catalogue. “Gaze: The Changing Face of Portrait Photography”, Istanbul Modern Photography Gallery, Istanbul, Turkey. Reproduction, p.75.
2012 Monograph. Portrait Sequences 1975. OneStar Press, Paris, France.
2012 Book. “The Visual Century, South African Art in Context 2011”, editor Gavin Jantjes, essay Hayden Proud, p.147,149.
2012 Book. Barron, Carrie and Alton, MD’s. “The Creativity Cure”, Scribner, NYC, NY., p. 44, 164.
2012 Article. Plummer, Sandra. “Photography and Duration: Time Exposure and Time-Image”, Rhizomes Magazine, Vancouver, Canada, Issue 23. Reproductions.
2011 Review. Heller, Maxwell. “What a (Self) Portrait Can Do. Picturing South Africa in New York”. The Brooklyn Rail, Brooklyn, NY. December 11.
2011 Review. Aletti, Vince. The New Yorker, New York, NY. October 3, p. 12.
2011 Article. Von Taube, Annika, “XX XY”, Sleek Magazine, Autumn 2011, Berlin, Germany. Reproductions, p.79-80.
2011 Review. Corrigall, Mary, "Painting with light".The Sunday Independent, Lifeart section, August 7, 2011. Reproductions.p.3
2011 Article. Law-Viljoen, Bronwyn, "Talk to the hand", Mail & Guardian, July 29, 2011. Reproductions. p.8-9
2011 Radio Interview, “Today Outspoken”, Frank Malaba LBGT Show, Johannesburg, South Africa.
2011 Review. McCrickard Kate “Hand-Made Aesthetics”, Art South Africa, Johannesburg, South Africa.Volume 9, issue 3, autumn 2011. Reproduction. P68,69.
2011 Monographic Catalogue. "Skin" Essay by Kate McKrickard. David Krut Publishing, Johannesburg, South Africa.
2011 Catalogue. “Out of the Dark Room: The David Kronn Collection”, Irish Museum of Modern Art, Dublin, Ireland. Reproduction.
2011 Catalogue. “President’s Gallery”, The Cooper Union, New York, NY. Reproductions.
2011 Book. “Art Works”, EMP Publisher, Toronto, Canada. Reproduction, p.225.
2010 Monograph. HandBook, Aperture. New York, NY.
2010 Review. Ransu, Jon B.K. “The Shadow that Points to the Light”, Morgunbladid, Reykjavik, Iceland. May 23. Reproduction
2010 Article. Einar Falur Ingólfsson. "Nudes", Reykjavik Art Museum, Hafnarhús, Reykjavik, Iceland.
2010 Review. McQuaid, Kate. "Playing with forms, faces and figures", The Boston Globe, MA. Jan. 20. Reproduction.
2010 Catalogue. “Photo Book.PH 2009/10”, Kassel, Germany. Reproductions, p. 16-17.
2010 Book. "HandBook". Aperture, New York, NY.
2010 Catalogue. “Reality Check”, essay by Einar Falur Ingólfsson, Reykjavik Arts Festival 2010, Iceland. Reproductions, p.8-9.
2010 Book. Poivert, Michel. “La Photographie Contemporaine”, Flammarion Press, Paris, France. Reproduction, p.60.
2010 Catalogue. “From Fair to Fine 3”, Stephen Daiter Gallery, Chicago,IL. Essay by Gary Schneider, p.9 Reproduction, p.110.
2010 Book. "Themes of Contemporary Art: Visual Art after 1980", McDaniel, Craig and Robertson, Jean. Oxford University Press, NYC, NY. Reproductions, p.241, 252, 253.
2010 Review. McQuaid, Kate. "Playing with forms, faces and figures", The Boston Globe, MA. Jan. 20. Reproduction.
2009 Book. "Art in the Age of Technoscience", Reichle, Ingeborg. Springer-Verlag/Wien, Austria. Reproductions, p.44,45,242-249.
2009 Review. McQuaid, Kate. The Boston Globe, Boston, MA. August 4G, p.5.
2009 Portfolio. Dear Dave, number 5, Spring 2009. NYC, NY. Reproductions, p.52-61.
2009 Book. "Human Futures", Andy Miah, Liverpool University Press, Liverpool, UK. Reproductions,p.89-91.
2008 Review. Pincus, Robert L. Union-Tribune. San Diego, CA., June 1. Reproductions. Cover
2008 Book. "Male – From the Collection of Vince Atletti", Andrew Roth Publisher, NYC, NY. Reproductions, p. 65, 73.
2008 Article. Pollack, Arthur. “MFA: Lens Space to Iconic Photos”, Boston Sunday Herald. Boston, MA. Nov 16. Reproduction, p. 6.
2008 Book. "Harvard / Handbook Art Museum", Harvard Art Museum, Cambridge, MA. Reproduction, p.243
2008 Catalogue. "MFA Highlights: Photography", MFA Publications, Museum of Fine Arts Boston, Boston, MA. Reproduction, p.67.
2008 Illustration. “On David Carr”, New York Magazine, New York, NY., Aug. 11. Reproduction, p. 21.
2008 Cover photo. “David Carr”, Observer Magazine , London, UK. September 14.
2008 Book."The Theater of the Face: Portrait Photography Since 1900". Max Kozloff, Phaidon, London, UK. Reproductions, p. 312-314.
2008 American Photography Annual 023, Photo Illustration, New York, NY.
2007 Catalogue."The Naked Portrait", Martin Hammer, National Galleries of Scotland, Edinburgh, Scotland. Reproductions, p.122, 124-5, 123-7.
2007 Brochure. "Gary Schneider: Genetic Self-Portrait", essay by Jeffrey Hoone, The Warehouse Gallery, Syracuse, NY.
2007 Interview. Shackleton, Shaun. Portrait of an Artist. “Guernsey Press”. Guernsey, Channel Islands, GB. June 6. Reproductions, p. 19.
2007 Catalogue. A New Reality, Jane Voorhees, Zimmerli Art Museum Rutgers, New Brunswick, NJ. Reproductions, p.53.
2007 Book. "Train Your Gaze". Roswell Angier. AVA Publishing. Lausanne, Switz. Reproductions, p. 132–144.
2007 Article. “Botanical Eclipse”, Bloom, Paris, France. July, issue 16. Reproductions, p.90-93.
2007 Catalogue. "The Art & Artifice of Science", Laura Addison , Museum of New Mexico, Santa Fe, NM. Reproductions, p.68-69
2007 Article. Stenhouse, David. “A Startling Exhibition of Humanity”, The Sunday Times, Edingburgh, Scotland. June 10. Reproduction, p.7.
2007 Book. "Face: The New Photographic Portrait", William A. Ewing, Thames and Hudson, London, UK. Reproduction, p.150-1.
2007 Article."Texture&Light". Daylight & Architecture, Horsholm, Denmark, Spring 2007, Issue 5. Reproductions, front and back covers, p.22,42,70.
2006 Review. Glueck, Grace. The New York Times, NYC, NY. January 6, p.E34.
2006 Review. Vince Aletti, The New Yorker, NYC, NY, January 6, p.15
2006 Catalogue."Refocusing Realities", Galerie Nei Liicht, Paul di Felice, Luxembourg. Reproductions.
2006 Book."Defining a Vision". The Museum of Photographic Arts, San Diego, CA. Reproduction, p.102-103.
2006 Catalogue. "Human Nature", SoFa Gallery, Betsy Stirratt, Indiana University, Bloomington, IN. Reproductions, p.46-47.
2006 Photo Illustrations. New York Times Magazine, Aug. 13th, "Fat Factors", NYC, NY. Reproductions, cover, p. 6, 29, 32, 33.
“La Repubblica delle Donne”, Mic Rob Esi Ta, Milan, Italy. October 7, number 519. Reproductions, p.57-63.
“Neon”, Dich Sein, Munich, Germany. December 6. Reproductions, p. 128-132.
2006 Interview. The Art Disc, DVD Magazine . Chicago, IL.
2006 Article. O’Toole, Sean. “The Big Picture”. Johannesburg Sunday Times, South Africa. July 23. Reproductions, p.5.
2006 Review. McQuaid, Cate. The Boston Globe, Boston, MA. March 2, page H8.
2006 Catalogue. “The Portrait Now” , National Portrait Gallery, London, UK. Reproduction, p. 108-109, 150.
2006 Article. “ Multiple Exposure”, The British Journal of Photography, London, UK. July 2. Reproduction, p. 29
2006 Catalogue. "Self-Evidence: Identity in Contemporary Art ", DeCordova Museum, Lincoln, MA. Reproduction,p.8.
2005 Article. Fairbrother, Trevor. “Gary Schneider: Facing Time”, Art in America, NYC, NY. February. Reproductions, p.112-115,143.
2005 Review. Gail-White, Victoria. “Seeking the Soul Behind the Mask”, The Honolulu Advertiser, Honolulu, HI. Aug.29. Reproductions, p.D8.
2005 Book. Hoy, Anne."Book of Photography", National Geographic, Washington, DC. Reproductions, p.410-411, 419-420.
2005 Review. Millis, Christopher. “Close..and intimate?”, The Boston Phoenix, Boston, MA. Reproduction, p.20
2005 Book. Reichle, Inbeborg. “Kunst Aus Dem Labor”, Berlin, Germany. Reproductions, p.42, 220-223.
2005 Review. Hargreaves, Roger. Photoworks, London, England. Nov./April. 68-72
2004 Catalogue. Essay. Martin Kao Deborah “Gary Schneider: Portraits”. Yale University Press, New Haven, CT., and HUAM, Cambridge, MA. Reproductions.
2004 Article. Tillman, Lynne. “Counting Light”, Aperture, NYC, NY. Fall, issue#176. Reproductions, p. 34-41.
2004 Review. Miller, Francine Koslow. Art on Paper, NYC, NY. Sept.-Oct., Vol.9, No.1. Reproduction, p. 80-81.
2004 Interview. Wolff, Denise. “Finding Gary Schneider”, photo-eye, Santa Fe, NM. Summer. Reproductions, p.26-28.
2004 Article. Law-Viljoen, Bronwyn. “Bodies of Meaning”, Art South Africa, Capetown, SA. Vol.3,Issue1. Reproduction, p.23
2004 Article. Boxer, Sarah. "When the Artist is the Curiosity Cabinet”. The New York Times – Arts and Leisure, NYC, NY. April 25. Reproductions, p. 30.
2004 Preview. Frailey,Stephen. Artforum, New York, NY. January, p.60.
2004 Review. Silver, Joanne. The Boston Herald , Boston, MA. ,March 5. Reproductions, p. E26.
2004 Catalogue."About Face" . Hayward Gallery, London, England. Reporoduction, p.44.
2004 Article. Ribbat, Christophe. “Glucklich in Bio” . Photonews, Germany, June. Reproductions, p.16.
2004 Catalogue."Speaking with Hands". Guggenheim Museum, NYC, NY. Reproductions, p.135 and back cover.
2004 Review. Ehrens, Susan. B&W Magazine , Arroyo Grande, CA. April, Issue 30. Reproduction, p. 30.
2004 Review. Garvey, Thomas. “Artist Unmasked”, Bay Windows, Boston, MA. March 18. Reproduction.
2004 Review. Shea, John. The Tufts Daily, Medford, MA., March 26.
2004 Review. Millis, Christopher. “ Head Strong”, The Boston Phoenix, Boston, MA. March 19-25. Reproductions.
2004 Review. Feeney, Mark.”Close Enough to Touch”. The Boston Globe, Boston MA., March 12. Reproductions,p.C17-18.
2004 Article. Antiques and the Arts Weekly, Bee Publishing, Newtown, CT. Reproduction, p.48.
2004 Catalogue."Self-Evidence: Identity in Contemporary Art". DeCordova Museum and Sclulpture Park, Lincoln, MA. Reproductions, p.8.
2003 Review. Smith, Roberta. The New York Times , New York, NY. April 4, 2003, p.E39.
2003 Review. Aletti, Vince. The Village Voice , New York, NY. April 2-8, 2003, p.67.
2003 Book. "Pandemic, Facing Aids". Umbrage Editions, New York, NY. Reproductions, p. 208.
2003 Review. Norris, Doug. Art New England , Boston, MA.. February/March, p. 32, 33.
2003 Review. Dault, Gary Michael. The Globe And Mail, Toronto, Canada. January 25.
2003 Photo Illustration. Arts Media. Boston, MA . Winter, 2003 . Cover reproduction.
2003 Catalogue. "Seeing – selections from collection". Gruss Center of Visual Art, TheLawrenceville School, Lawrenceville, NJ. Reproduction, p.7.
2003 Catalogue. "I-den-ti-ty Doc-u-ment", Clockwork-Apple Gallery,NYC, NY.Reproduction.
2002 Review. Hirsch, Faye. Art on Paper . New York, NY. May-June. Reproduction, p.70.
2002 Catalogue. "Translations/Transgressions", Fine Art Center, University of Rhode Island, RI. Reproductions, p.17.
2002 Catalogue. "Mask or Mirror (A Play of Portraits)", Worcester Art Museum, Worcester, MA Reproduction, 35-37.
2002 Book. Tillman, Lynne. "This is not it , stories", D.A.P., New York, NY. Reproduction, p. 209 ,210.
2002 Catalogue. Wolf, Sylvia."Visions from America - Photographs from the Whitney Museum of Art 1940-2001", Whitney Museum of American Art, New York, NY. Reproduction, p.155.
2002 Photo Illustrations. Magazine. New York Academy of Sciences Magazine , New York, NY., August/September. Reproductions, cover plus pages 2 and 4.
2002 Book. Marien, Mary Warner. “ Photography: A Cultural History”. Laurence Hill Press, London, England. Reproductions, p. 480 and 482.
2002 Review. Loke, Margaret. “ Making Artful Images Out of Science”. The New York Times, NY., January 25, p. E41.
2002 Catalogue. "Paradise Now", Tang Museum, Skidmore College, Saratoga Springs, NY. Reproduction, p.94,95.
2001 Article. Aletti, Vince. “Portfolio”, Artforum , New York, NY. September. Reproductions, p. 175-179
2001 Review. Millis, Christopher. “Photography’s Future”, The Boston Phoenix , Boston, MA. Nov.16. Reproduction, p.12.
2001 Catalogue. "Under the Skin", Wihelm Lehmbruck Museum Duisburg, Duisburg, Germany. Reproduction, p86-90.
2001 Article. Temin, Christine. “Exploring the Ties that Bind”, The Boston Globe, Boston, MA., October 24.
2001 Review. McQuaid, Kate. “Using the Magic of Light…”, The Boston Globe, Boston, MA, November 17, p.F5.
2001 Reproduction. Freemantle, Francesca. Tricycle – The Buddhist Review , Winter, New York, NY. p. 53.
2001 Article. Waterman, Jill. “Gary Schneider: Genetic Self-Portrait”, Spot, Houston, TX. Spring/Summer.Reproductions, p.14,15.
2001 Photo Illustration. Thernstrom, Melanie.“Pain, the Disease", The New york Times Magazine, New York, NY, December 16. Reproductions, p.66-68.
2001 Catalogue. Identities: "Contemporary Portraiture" , New Jersey Center for Visual Arts, Summit , NJ.
2001 Review. Millis, Christopher. “Seasons Bounty”, The Boston Phoenix, Boston,MA. July 13, ARTS p.1.
2001 Review. Bischoff, Dan. “Face-to-Face”, Sunday Star Ledger, Newark, NJ. April 8, Section 4, p.1.
2001 Article. Halpert, Peter Hay."Buy! Sell! Hold!". American Photo, New York, NY. May/June. Reproduction, p.40.
2001 Catalogue. "Under the Skin" , Wihelm Lehmbruck Museum Duisburg, Duisburg, Germany.
2001 Review. Millis, Christoher. “On and Off the Street”, The Boston Phoenix, Boston, MA. February 23, ARTS p.1.
2000 Review. Loke, Margarett. “Beauty in the Eye (and the Fingertip)”. The New York Times, NY. March 17. Reproduction, p.E38.
2000 Catalogue, Unnatural Science . MASS MoCA, North Adams, MA. Essay and reproductions.
2000 Article. Pollack, Barbara. “ The Genetic Esthetic”, Artnews, New York, NY. April.Volume 99, #4. Reproductions, pages 133-137, plus cover
2000 Article. Life Magazine . “Best Essay Depicting Science”. Spring 2000, New York, NY. Reproductions, p. 36,37
2000 Catalogue, A Decade of Collecting-Harvard University Art Museums, Vol7,#2, Harvard University, Reproduction, p.96-97.
2000 Article. Waterman, Jill. "Gary Schneider's Self Scrutiny", ArtsMedia, Boston, MA, April 15-May 15, Reproduction p 31.
2000 Review. Aletti, Vince. The Village Voice, Feb. 22, New York, NY. Reproduction, p. 87.
2000 Review. Hoffman, Mark. “Open Your Mind”, New Haven Advocate, New Haven, CT. Nov. 30.
2000 Book. Ewing, William. The Century of the Body, Thames & Hudson, London, England. Reproductions.
2000 Review. Riding, Louis. “New Ways to See the Body”, International Herald Tribune.
2000 Brochure. Foreign Bodies. Untitled (space). New Haven. CT. Reproduction.
2000 Catalogue."Surface and Depth". Hood Museum of Art. Dartmouth College, Hanover, NH. Reproductions.
2000 Review. Smith, Roberta. Review.“In Their Own Worlds: Giant Hybrids of Fact and Fantasy”, The New York Times, NY. August 11, p.E33.
2000 Brochure. "Paradise Now". Exit Art. Reproduction.
2000 Article. Gurewitsch, Matthew. “Vast Spaces and Scientific Fantasies”, The Wall Street Journal, New York, NY. July 19, p.A20.
2000 Photo Illustrations.The Sciences,“X Ray Visionaries“, New York, NY. May/June. Reproductions, p.26,27.
2000 Photo Illustrations. “Genetic Self-Portrait”. Butterfly Magazine. Issue 5. London, England. Reproductions, p. 14, 2000 Review. Ehrens, Susan. B&W, Arroyo Grande, CA. April 2000, Vol. 2 Issue 6. Reproduction, p. 22.
2000 Review. New York Magazine, “ Personal Matter “,New York, NY. February 28. Reproduction, p.77.
2000 Article. Trebay, Guy. The Village Voice, New York, NY. Feb. 29. Reproduction, p.46.
2000 Article. Aletti, Vince. Out Magazine, New York, NY. March. Reproductions, pages 40,41.
2000 Review. American Photo.“Genetic Self-Portrait”, book review. March/April, New York, NY.Reproduction, p.17
2000 Review. Silver, Joanne. “Artists Celebrate Weird Science”, Boston Herald, Boston, MA. January, 14.
2000 Catalogue,"Head to Toe, Impressing the Body", University of MA., Amherst, MA.Essay and reproduction.
2000 Review. The New Yorker, New York, NY. February 21&28.
1999 Article. Wilford, John Noble. ”InsideOut: Genetic Self-Portrait by Gary Schneider”, The New York Times Magazine, New York, NY. Oct. 17,1999. Reproductions, pages 106-113.
1999 Book. High tech-High touch, Naisbitt and Philips, Broadway Books, Random House, New York,NY, pages 200-202.
1999 Review. Princenthal,Nancy. Art On Paper. New York, NY. Jan. - Feb. 1999. Reproduction, p.65.
1999 Catalogue, Reflections of the Artist, National Gallery of Canada, Ottawa, essay and reproductions.
1999 Book. Ewing, William. Love and Desire, Thames and Hudson, London, England. Reproduction.
1999 Review. Riding, Alan."Thru a lens, the Body’s Many Guises Multiply”,The New York Times, Nov. 28, NY. p.44.
1999 Article. Elle Magazine. “Books of Wonder”, December, 1999. New York, NY. Reproduction, p. 120.
1999 Article. House and Garden. “Looking Good”, January, 1999. New York, NY. Reproduction, p. 30.
1999 Article. Aperture, “Male/Female”, Vince Aletti, New York, NY, Summer 1999. Reproduction, p.14.
1999 Review. Mitchinson, Paul. The National Post, Toronto, Canada, October 2. Reproductions, p. 6.
1999 Review. Gessell, Paul.”Exposing the Artist” The Ottawa Citizen, Ottawa, Canada. October, 11.
1999 Letter. Thomas, Ann. The Ottawa Citizen, Ottawa, Canada, October, 25.
1999 Review. Arning, Bill. “Female”, Time Out. New York, NY. Issue 210. Sept.30-Oct.7, p. 66.
1999 Catalogue,"Wildflowers", Katonah Museum of Art, essay by Susan Edwards; Katonah, NY. Reproduction.
1999 Book. Danziger,James."American Photographs: 1900/2000". Assouline, St.Martins Press. New York, NY. Reproduction, p.223.
1999 Article.Smith, Roberta. The New York Times, Arts & Leisure, February 14. Reproduction, p. 39.
1999 Article. Babstock, Craig."The Marriage of Art and Science", This is Carleton, vol1,#19, Ottawa, Canada. Reproduction.
1998 Article. DoubleTake. “The Art of Science” . Spring 1998, Durham,NC. Reproduction, p.55.
1998 Review. Woodward, Richard B. Art News, New York, NY. February. reproduction, p. 121.
1998 Review. Debraine, Luc. “Gary Schneider Explore L’Extreme Inyimite de son Corps”. Le Temps, Geneva, Switz. April 12. Reproduction, p. 42.
1998 Review. Millis, Christopher. The Boston Phoenix. Boston, MA. October 23. Reproduction.
1998 Review. Walker,Marina. “Into the Mystic”, Santa Barbara News-Press, CA, May 8. Reproduction.
1998 Review. Caponi, Nancy Clare. “Microcosmos Explored’, The Independent, Santa Barbara,CA. May 7,p.49.
1998 Review. ‘Out of Sight’, Artweek, Santa Barbara, CA. June.
1998 Review. Weinstein, Michael. The Chicago News and Arts Weekly, Chicago, IL. Reproduction. October 22, p.42. 1998 Review. Goldberg,Vicki. The New York Times . New York, NY., May 24. Reproductions, p. 33.
1998 Review. Yablonsky, Linda. TimeOut , New York, New York, NY. February 5-12, p.44.
1998 Catalogue, "Body Icons". The Photographic Center of Skopelos, Greece. Reproduction p. 48.
1997 Brochure, Gary Schneider: Recent Photographs, Dr. Curtis Carter, The Haggerty Museum, Marquette University, Milwaukee, MI. Reproductions.
1997 Review. Millis, Christopher. South End News, Boston, MA., July 31. Reproduction,p.12.
1997 Review. Aletti, Vince. The Village Voice, New York, NY., October 22-28.
1997 Interview. Kao, Deborah Martin. Harvard University Art Museums Review, Cambridge, MA., Fall, vol.V1, #2, p.14.
1997 Review. Sherman, Mary. Boston Sunday Herald , Boston, MA, Jan.19, p. 39.
1997 Article. Halpert, Peter Hay.“Buy!Hold!Sell!”, American Photographer, March/April. Reproductions, p.58.
1997 Review. Keefe, Paula. The Marquette Tribune, Milwaukee,MI, April 17, p. 10.
1997 Photo Illustration. Emporio Armani Magazine. Milan, Italy,“The Body”, number 17 biannual March/August, p.16.
1997 Review. Auer, James. The Milwaukee Journal Sentinel, Milwaukee, MI., April 25.
1997 Review. McQuaid, Cate. The Boston Globe, Boston, MA., August 7.
1997 Review. Johnson, Ken. The New York Times, New York, NY. October 31, p. E36.
1996 Interview. Katz, Vincent. The Print Collectors Newsletter, New York,NY. March/April. Reproductions, p.11-14.
1996 Review. McQuaid, Cate. The Boston Globe, Boston, MA., June 6. Reproduction.
1996 Review. Sherman, Mary. The Boston Sunday Herald, Boston, MA. ,June 2. Reproduction, p.45.
1996 Review. Perrott, Joseph. artsMEDIA, Boston, MA., June. Reproduction.
1996 Review. On Paper. New York, NY., p.37.,“Collection in Context: Selected Contemporary Photographs of Hands from the Collection of Henry Buhl” published by Threadwaxing Space, New York, NY. Reproduction.
1996 Photo Illustration. Calendar, In God’s Love We Deliver, New York, NY. Reproduction.
1995 Article. Sedofsky, Lauren. “Through a Glass Darkly”, Artforum, New York, NY., March. Reproductions, p.68-73.
1995 Review. Aletti, Vince. The Village Voice, New York, NY., “Choices”, March 8.
1995 Review.von Ziegesar, Peter. Art in America, October, New York, NY. Reproduction.
1995 Review. Weinstein, Michael. The Chicago News and Arts Weekly, Chicago, IL, December 21
1995 Catalogue. Hoeltzel, Susan. “Fact, Fiction, and Truth: Contemporary Portraits”, Lehman College Art Gallery, Bronx, NY, Reproductions.
1995 Catalogue. “Moving Pictures”,The Warren Standard, New York, NY., volume 2, number 6 . Reproductions.
1995 Review. Zimmer, William. “Portraits that use absense as a vehicle of expression”, The New York Times, Westchester Edition, October 22. Reproduction, p. 16.
1995 Catalogue. De Salvo, Donna. “Face Value: American Portraits”, The Parrish Art Museum and Flammarion Press, Paris, France. Reproductions, p. 48-50.
1995 Photo Illustrations. Harper’s, New York, NY. September. Reproductions, p.27.
1995 Article. King, Alan. “Photography can turn its Subjects into Icons”, The Ottawa Citizen, Ottawa, Canada.
1995 Photo Illustrations. Blindspot, issue number 5, New York, NY. Reproductions.
1995 Review. Hagen, Charles. The New York Times, New York, NY., March 10, p. C10.
1994 Review. Conrad, Peter. “Decaying Miracles in a Prison of Time”, The Observer Review, London, England, Sept. 25.
1994 Book. Ewing, William. “The Body”, Thames and Hudson, London, England. Reproduction.
1993 Article. Goldberg, Vicki. “Peering into Places that Mere Eyes Cannot See”,The New York Times Arts and Leisure, New York, NY.Feb. 21. Reproductions, p. 39.
1993 Catalogue. Leigh, Christian. “I am the Enunciator”, Threadwaxing Space, New York, NY.
1993 Article. Litt, Steven. “Artists view nature: assaulted but hanging tough”, The Plain Dealer, Cleveland, OH., April 3.
1992 Review. Aletti, Vince. The Village Voice, New York, NY., “Choice”, June 16, p. 74.
1992 Review. Hess, Elizabeth. The Village Voice, New York, NY., June 16, p. 91
1992 Article. Goldberg,Vicki. The New York Times, New York, NY. October 25, p. 33.
1992 Article. Schneider, Gary. “Connoisseurship & Conservation in Photography”, OJO, Vol.2,#1, Kent, CT, p. 3.
1991 Review. Aletti, Vince. The Village Voice, New York, NY., “Choice”, April 16, p. 113.
1991 Review. Braff, Phyllis. “In the Nude, a Denial of the Body’s Flesh”, The New York Times (L edition), NY., Sept. 29.
1991 Photo Illustration. Bomb, Spring. Reproduction, p.16.
1989 Article. Hart, Russell. “Artist and Craftsman”, American Photographer, New York, NY., June, p. 24.
1989 Article. Johnson,Tom. “Turning a Dream into Reality”, Photo District News, New York, NY., August, p. 1.
1985 Program notes. Collective for Living Cinema. New York, NY. Fall 1985
1984 Film review, Klinker,Claus-Wilhelm, Drei radikale Kurzfilme uber Sex - nicht fur Schule, Szone Hamburg, Hamburg, Germany, October, Reproduction and Translation.
1984 Article. Gardlin, Martin. “Art of Darkness”, Photo District News, New York, NY. February, p. 28.
1983 Article. Sribnick, Larry. “Black and White Reproduction”, Photo Methods, New York, NY. April, p. 21.
1982 Film Review, Whitfield, Tony, “Psychological Seduction”,The New York Native, New York, NY, Reproduction.