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Full Resume pdf: through 2009.
GARY SCHNEIDER
American, born in East London, South Africa, 1954. Lives and Works in New York.
SELECTED ONE PERSON EXHIBITIONS
2010 Nudes, Reykjavik Art Museum, Iceland.
Drawn From Life, Howard Yezerski Gallery, Boston, MA.
2009 Life@Life Size, curator Barry A. Rosenberg, Contemporary Art Galleries, University of Connecticut, Storrs, CT.
2008 Flesh: The Portraiture of Gary Schneider, curator Carol McCusker, Museum of Photographic Art, San Diego, CA.
2007 Genetic Self-Portrait, curator Jeff Hoone, The Warehouse Gallery, Syracuse, NY.
Nudes, Daiter Contemporary. Chicago, IL.
2006 Nudes , Howard Yezerski Gallery, Boston, MA.
Nudes, installation, curator Kate McCrickard, David Krut Projects, NYC, NY.
2005 Gary Schneider: Nudes , curator Diana Edkins, Aperture Gallery, NYC, NY.
Carte de Visite, installation, David Krut Projects, NYC, NY.
2004 Gary Schneider: Portraits, curator Deborah Martin Kao, Harvard University Art Museums, Boston, MA.
Contemporary Museum, curator James F. Jensen, Honolulu, Hawaii. (2004).
Gary Schneider: Biology, curator Scott Schweigert, Suzanne H. Arnold Art Gallery, Lebanon Valley College,
Annville, PA.
Head to Head , Howard Yezerski Gallery, Boston, MA.
2003 Genetic Self-Portrait , University Art Museum, SUNY, Albany, NY.
Genetic Self-Portrait , curator Amy Vigilante Dickerson, University Galleries, University of Florida, Gainesville,
FL.
Portraits, Julie Saul Gallery, NYC, NY.
2001 Botanical , Stephen Daiter Gallery, Chicago, IL.
Hand Mouth , Howard Yezerski Gallery, Boston, MA.
2000 Genetic Self-Portrait, curator Edward Earle, International Center of Photography, NYC, NY.
Specimen Drawings: Photographs from 1987-1999, Eleanor Barefoot Gallery, NYC, NY.
1998 Genetic Self-Portrait, curator William A. Ewing, Musee de l’Elysee, Lausanne, Switzerland.
John, Stephen Daiter Gallery, Chicago, IL.
Interface, Howard Yezerski Gallery, Boston, MA.
1997 Gary Schneider: Recent Photographs, curator Curtis Carter, The Haggerty Museum, Marquette University,
Milwaukee, WI.
Portraits, curator Elizabeth Turnock , Garrison Art Center, Garrison, NY.
From Life , PPOW Gallery, NYC, NY.
1996 Thru a Glass Darkly, Martha Schneider Gallery, Chicago, IL.
1993, Howard Yezerski Gallery, Boston, MA.
1995 Portraits, PPOW Gallery, NYC, NY.
1993 Botanicals, Robert Klein Gallery, Boston, MA.
1992 Botanicals, PPOW Gallery, NYC, NY.
1991 Carte de Visite, PPOW Gallery, NYC, NY.
1984 Salter’s Cottages 16mm short film, The Arsenal, curator Alf Boll, Berlin, Germany
The Metropolis, Hamburg, Germany.
1977 Naming, installation and live solo performance, curator Paul McMahon, Artist Space, NYC, NY.
SELECTED GROUP EXHIBITIONS
2010 Familiar Bodies, Carroll and Sons, Boston, MA.
Artists See Artists II, Deborah Bell Gallery, New York, NY.
Coming of Spring, Alan Klotz Gallery, New York, NY.
2009 'Heads, Julie Saul Gallery, New York, NY.
Speaking With Hands, Daelim Contemporary Art Museum, Seoul, Korea.
Kaoshiung Museum of Fine Arts, Taiwan, China. (2010).
Photo America, curator Deborah Klochko, Tokyo Photo 2009, Tokyo, Japan.
Deviant Specimens, Howard Yezerski Gallery, Boston, MA.
Selections From Lewis Center Arts Faculty, Paul Robeson Center for the Arts, Princeton, NJ.
Afterglow: Four Photographers & the Hand-Held Light, Carrie Haddad Photographs, Hudson, NY.
The Stoumen Legacy, Museum of Photographic Arts, San Diego, CA.
2008 Photographic Figures, Museum of Fine Arts, Boston, MA.
Male, curator Vince Aletti, White Columns, New York, NY. Presentation House Gallery, Vancouver, BC,
Canada (2008).
Faire Faces, curator William Ewing, Galerie Bleu du Ciel, Lyon Septembre de la Photographie, Lyon, France.
2007 Lisette Model and Her Successors, Aperture Gallery, New York, NY.
Museo di Roma in Trastevere, Piazza S. Egidio, Rome, Italy. (2008)
Galleria Carla Sozzani, Milan, Italy. (2008).
The Naked Portrait, curator Martin Hammer, Scottish National Portrait Gallery, Edinburgh, Scotland.
Compton Verney, Warwickshire, England. (2007)
Face: The New Photographic Portrait, curated by William Ewing, Forma, Milan, Italy.
The Art & Artifice of Science, curator Laura Addison, Museum of New Mexico, Santa Fe, NM.
2006 Refocusing Realities Galerie Nei Liicht, curator Paul di Felice, Luxembourg.
The Body Familiar, curator Blake Fitch, The Griffin Museum, Winchester, MA.
Above and Beneath, Memphis College of Art, Memphis, TN.
2005 Future Face, curated by Sandra Kemp, The Science Museum, London, England.
National Museum of Natural Science, Taichung, Taiwan.
2004 Speaking with Hands , The Guggenheim Museum, NYC, NY. Guggenheim Bilbao, Bilbao, Spain. (2005)
About Face , Hayward Gallery, London, England.
Self-Evidence: Identity in Contemporary Art , DeCordova Museum and Sculpture Park, Lincoln, MA.
2003 Cara a Cara , curated by William A. Ewing, Culturgest, Lisbon, Portugal.
Je t’envisage Musee de l’Elysee Lausanne, Lausanne, Switzerland.
Visions and Revisions: Art on Paper , Museum of Fine Art, Boston, MA.
Genetic Expressions – Art after DNA ,Heckscher Museum of Art, Huntington, NY.
2002 Pandemic: Museum of Contemporary and Visual Art, Barcelona, Spain
Translations/Transgressions, Fine Arts Center Galleries, University of Rhode Island, RI.
Mask or Mirror? A Play of Portraits , Worcester Art Museum, Worcester, MA.
2001 Under the Skin , Wilhelm Lehmbruck Museum Duisburg, Duisburg, Germany.
Identities: Contemporary Portraiture, New Jersey Center for Visual Arts, Summit, NJ.
2000 Le Siecle Du Corps, Musee de L’Elysee Lausanne, Lausanne, Switzerland.
Paradise Now, Exit Art, New York, NY. Tang Museum, Skidmore College, Saratoga, NY. (2001)
Surface and Depth:The Portrait in Contemporary Photography, Hood Museum of Art,
Dartmouth College, Hanover, NH.
What’s New: Recent Acquisitions in Photography, Whitney Museum of American Art , New York, NY.
Unnatural Science, Mass MoCA, North Adams, MA.
1999 Head to Toe: Impressing the Body,.University of Massachussetts., Fine Art Center, Amherst, MA.
Reflections on the Artist, National Gallery of Canada, Ottawa. Canada.
Century of the Body: Photoworks 1900 to 1999, Culturgest, Lisbon, Portugal.
1998 The Body in the Mirror The Photographic Center of Skopelos, Larissa, Greece.
Out of Sight, Santa Barbara Museum, Santa Barbara, CA.
1997 Scientia Artifex, The Museum of Contemporary Photography, Columbia College, Chicago, IL.
About Face, The Fogg Art Museum, Harvard University, Boston, MA.
Poetic Evidence: Science in Contemporary Photography, curated by Ann Thomas, National Gallery of Canada,
Ottawa.
Process on Paper - Recent Acquisitions, The Brooklyn Museum, Brooklyn, NY.
1996 Body Electric, Winnipeg Art Gallery, Winnipeg, Canada. Musee des Beaux - Arts; Montreal, Canada.
Face Value : American Portraits, curator Donna De Salvo, The Parrish Art Museum, Southampton, NY.
The Wexner Center For the Arts, Columbus, OH (1997) Tampa Museum of Art, Tampa, FL (1998)
Collection in Context-Henry Buhl, Thread Waxing Space, New York, NY.
Parrish Art Museum, Southampton, NY. (1997)
Face and Figure, Museum of Fine Arts, Boston, MA.
1995 Rituals and Transformations, National Gallery of Canada, Ottawa.
Moholy-Nagy and Present Company, Art Institute of Chicago, Chicago, IL.
Nature Studies II, Fine Arts Center, University of Massachusetts, Amherst, MA.
1994 Flora Photographica: The Flower in Photography from 1835 to the Present. The New York Public Library,
New York, NY.
The Royal Ontario Museum, Toronto, Canada (2005). Musee des Beaux Arts de Montreal, Canada (2006).
1993 About Nature, Cleveland Center for Contemporary Art, Cleveland, OH.
Observing Traditions : Contemporary Photographs 1975-1993, National Gallery of Canada, Ottawa.
I Am the Enunciator, Threadwaxing Space, New York, NY.
1991 From Desire: A Queer Diary, Richard F. Brush Art Gallery, St. Lawrence University, Canton, MA.
1986 New York, New Work, New Year , screening of Salters Cottages , The Funnel, Toronto, Canada.
1984 Salter’s Cottages 16mm short subject film exhibited at the Arsenal, Berlin, Germany. The Metropolis,
Hamburg, Germany.
1981 Salter’s Cottages exhibited at Millenium and the Collective forLiving Cinema, New York, NY.
1979 Peripheral Intercourse, 16mm short subject film, exhibited at Millennium, New York, NY.
SOLO PUBLICATIONS
2010 Book. HandBook, Blurb.com, San Francisco, CA.
2007 Catalogue. John 1989-2004. The Greenhouse. Essay by Eric Snell, Guernsey College of
Art and Design. Guernsey, Great Britain.
Brochure. Gary Schneider: Genetic Self-Portrait, essay by Jeffrey Hoone,
The Warehouse Gallery, Syracuse, NY.
2005 Book. Nudes , Aperture, NYC, NY.
2004 Catalogue. Gary Schneider: Portraits , essay by Deborah Martin Kao, co-published by Yale University Press,
New Haven, CT. and HUAM, Cambridge, MA. Reproductions.
Brochure. Gary Schneider: Biology , essay by Ann Thomas, Suzanne H. Arnold Art Gallery,
Lebanon Valley College, Annville, PA.
2001 Catalogue. Botanical , Stephen Daiter Gallery, Chicago, IL.
Catalogue. Family Portrait , Howard Yezerski Gallery, Boston, MA.
1999 Book. Genetic Self-Portrait. Essays by Ann Thomas, Lori Pauli, and Bettyann Kevles. Light Work,
Syracuse, NY.
1997 Brochure, Gary Schneider: Recent Photographs, Dr. Curtis Carter, The Haggerty Museum, Marquette
University, Milwaukee, MI.
Book. John in Sixteen Parts . Essay by Deborah Martin Kao, published by Howard Yezersky Gallery,
Boston, MA.; Stephen Daiter Photography, Chicago, IL.;PPOW Gallery, NYC, NY.
SELECTED BIBLIOGRAPHY
2010 Review. Ransu, Jon B.K. “The Shadow that Points to the Light”, Morgunbladid, Reykjavik, Iceland. May 23. Reproduction.
Catalogue. “Photo Book.PH 2009/10”, Kassel, Germany. Reproductions.
Catalogue. “Reality Check”, essay by Einar Falur Ingólfsson, Reykjavik Arts Festival 2010, Iceland. Reproductions, p.8-9.
Book. Poivert, Michel. “La Photographie Contemporaine”, Flammarion Press, Paris, France. Reproduction, p.60.
Catalogue. From Fair to Fine 3, Stephen Daiter Gallery, Chicago,IL. Essay by Gary Schneider, p.95. Reproduction, p.110.
Review. McQuaid, Kate. Playing with forms, faces, and figures, The Boston Globe, Boston, MA. Jan. 20. Reproduction.
Book. Themes of Contemporary Art: Visual Art after 1980, McDaniel, Craig and Robertson, Jean.
Oxford University Press, NYC, NY. Reproduction, p.241, 252, 253.
2009 Review. McQuaid, Cate. The Boston Globe, Boston, MA. August 4G, p.5.
Portfolio. Dear Dave, number 5, Spring 2009. NYC, NY. Reproductions, p.52-61.
Book. Human Futures, Andy Miah, Liverpool University Press, Liverpool, UK. Reproductions, p.89-91.
2008 Illustration. “On David Carr”, New York Magazine, NYC, Aug.11. Reproduction, p. 21.
Cover, “David Carr”, Observer Magazine, London, UK. Sept. 14.
Review. Pincus, Robert L. Union-Tribune. San Diego, CA., June 1. Reproductions.
Book. The Theater of the Face: Portrait Photography Since 1900, Max Kozloff, Phaidon,
London, UK, Reproductions, p 312-314
www.moremoes.com/si/52167.html
2007 Book. Train Your Gaze. Roswell Angier. AVA Publishing. Lausanne, Switz. Reproductions, p. 132 – 144.
www.amazon.com/Train-Your-Gaze-Theoretical-Introduction/dp/ 294037337X
Catalogue. The Naked Portrait, Martin Hammer, National Galleries of Scotland, Edinburgh, Scotland.
Reproductions, p.122, 124-5, 123-7.
www.nationalgalleries.org/buy/shop/8:398/product/4069
Book. Face: The New Photographic Portrait, William A. Ewing, Thames and Hudson, London, UK.
Reproduction, p.150-1.
www.amazon.com/Face-Photographic-Portrait-William-Ewing/dp/ 0500287325
2006 Catalogue. Refocusing Realities, Galerie Nei Liicht, Paul di Felice, Luxembourg. Reproductions.
Photo Illustrations. “New York Times Magazine”, Aug. 13th, Fat Factors, NYC, NY. Reproductions,
cover, p. 6, 29, 32, 33.
Photo Illustrations.“La Repubblica delle Donne”, Mic Rob Esi Ta, Milan, Italy. October 7,
number 519. Reproductions, p.57-63.
Photo Illustrations. “Neon”, Dich Sein, Munich, Germany. December 6. Reproductions, p. 128-132.
Article. O’Toole, Sean. “The Big Picture”. Johannesburg Sunday Times, South Africa. July 23.
Reproductions, p.5.
Review. McQuaid, Cate. The Boston Globe, Boston, MA. March 2, page H8.
Catalogue. “The Portrait Now” , National Portrait Gallery, London, UK. Reproduction, p. 108-109, 150.
Review. The New Yorker, NYC, NY. January 6, p.15.
Review. Glueck, Grace. The New York Times, NYC, NY. January 6, p.E34.
2005 Article. Fairbrother, Trevor. “Gary Schneider: Facing Time”, Art in America, NYC, NY. February.
Reproductions, p.112-115.
findarticles.com/p/articles/mi_m1248/is_2_93/ai_n9486019
Book. Reichle, Inbeborg. “Kunst Aus Dem Labor”, Berlin, Germany. Reproductions.
Review. Hargreaves, Roger. Photoworks, London, England. Nov./April. 68-72.
2004 Article.”Boxer, Sarah. When the Artist is the Curiosity Cabinet”. The New York Times, NY.
April 25. Reproductions, p. 30.
Article. Law-Viljoen, Bronwyn. “Bodies of Meaning”, Art South Africa, Capetown, SA. Vol.3,
Issue 1. Reproduction, p.23.
Article. Tillman, Lynne. “Counting Light”, Aperture, NYC, NY. Fall, issue#176. Reproductions, p. 34-41.
Article. Ribbat, Christophe. “Glucklich in Bio”, Photonews, Germany, June. Reproductions, p.16.
Interview. Wolff, Denise. “Finding Gary Schneider”, photo-eye , Santa Fe, NM. Summer.
Reproductions, p.26-28.
Catalogue. Speaking with Hands , Guggenheim Museum, NYC, NY. Reproductions, p.135 and back cover.
Catalogue. About Face . Hayward Gallery, London, England. Reporoduction, p.44.
Review. Silver, Joanne. The Boston Herald , Boston, MA. ,March 5. Reproductions, p. E26.
2003 Review. Frailey,Stephen. Artforum, New York, NY. January, p.60.
Review. Smith, Roberta. The New York Times , New York, NY. April 4, 2003, p.E39.
Review. Aletti, Vince. The Village Voice , New York, NY. April 2-8, 2003, p.67.
2002 Catalogue. Translations/Transgressions, Fine Art Center, University of Rhode Island, RI. Reproductions.
Catalogue. Mask or Mirror (A Play of Portraits), Worcester Art Museum, Worcester, MA. Reproduction.
Book. Marien, Mary Warner. “ Photography: A Cultural History”. Laurence Hill Press,
London, England. Reproductions,p. 480- 482.
Review. Hirsch, Faye. Art on Paper . New York, NY. May-June. Reproduction, p.70.
2001 Article. Aletti, Vince. “Portfolio”, Artforum , New York, NY. September. Reproductions, p. 175-179.
Catalogue. Under the Skin , Wihelm Lehmbruck Museum Duisburg, Duisburg, Germany.
Article. Temin, Christine. “Exploring the Ties that Bind”, The Boston Globe, Boston, MA., October 24.
Review. McQuaid, Kate. “Using the Magic of Light…” , The Boston Globe , Boston, MA, November 17, p.F5.
2000 Book. Ewing, William. The Century of the Body, Thames & Hudson, London, England. Reproductions.
Article. Pollack, Barbara. “ The Genetic Esthetic”, Artnews, New York, NY.
April.Volume 99, #4. Reproductions, p.133-137, cover.
Article. Life Magazine . “Best Essay Depicting Science”. Spring 2000, New York, NY. Reproductions, p. 36,37
Feature. Loke, Margarett. “Beauty in the Eye (and the Fingertip)”. The New York Times, NY.
March 17. Reproductions, p.E38.
Catalogue, Unnatural Science . MASS MoCA, North Adams, MA. Essay and reproductions.
1999 Feature. Wilford, John.”InsideOut”, The New York Times Magazine, New York, NY.
Oct. 17,1999. Reproductions, p106-113.
Book. Ewing, William. Love and Desire, Thames and Hudson, London, England. Reproduction.
Catalogue, Reflections of the Artist, National Gallery of Canada,Ottawa, essay and reproductions.
Book. High tech-High touch, Naisbitt and Philips, Broadway Books, Random House, New York,NY,
pages 200-202.
1998 Review. Debraine,Luc. “Gary Schneider Explore L’Extreme Inyimite de son Corps”. Le Temps, Geneva, Switz.
April 12. Reproduction, p. 42.
Review. Goldberg,Vicki. The New York Times .New York, NY., May 24. Reproductions, p. 33.
Review. Woodward, Richard B. Art News, New York, NY. February. reproduction, p. 121.
1997 Review. Sherman, Mary. Boston Sunday Herald , Boston, MA, Jan.19, p. 39.
Review. McQuaid, Cate. The Boston Globe, Boston, MA., August 7.
1996 Interview. Katz, Vincent. The Print Collectors Newsletter, New York,NY. March/April.
Reproductions, p.11-14.
Review. McQuaid, Cate. The Boston Globe, Boston, MA., June 6. Reproduction.
1995 Article. Sedofsky, Lauren. “Through a Glass Darkly”, Artforum, New York, NY., March.
Reproductions, p.68-73.
Review. von Ziegesar, Peter. Art in America, October, New York, NY. Reproduction.
Catalogue. De Salvo, Donna. Face Value: American Portraits, The Parrish Art Museum and Flammarion Press,
Paris, France. Reproductions, p. 48-50.
1994 Book. Ewing, William. The Body, Thames and Hudson, London, England. Reproduction.
Review. Conrad,Peter. “Decaying Miracles in a Prison of Time”, The Observer Review,
London, England, Sept. 25.
1993 Article. Goldberg, Vicki. “Peering into Places that Mere Eyes Cannot See”,The New York Times
Arts and Leisure, New York, NY., , Feb. 21. Reproductions, p. 39.
Catalogue. Leigh, Christian. I am the Enunciator, Threadwaxing Space, New York, NY.
1992 Review. Hess, Elizabeth. The Village Voice, New York, NY., June 16, p. 91.
1991 Review. Aletti, Vince. The Village Voice, New York, NY., “Choice”, April 16, p. 113.
1989 Article. Hart, Russell. “Artist and Craftsman”, American Photographer, New York, NY., June, p. 24.
1984 Film review. Klinker,Claus-Wilhelm. “Drei radikale Kurzfilme uber Sex - nicht fur Schule”,
Szone Hamburg, Hamburg, Germany. October. Reproduction.
1982 Film review. Whitfield, Tony. “Psychological Seduction”, The New York Native,
New York, NY. Reproduction.
1981 Millennium Group Program, number 5, May 15.
AWARDS
2010 Photobook Award Kassel 2009/2010, “HandBook”, Kassel Germany.
Princeton University Research Assistance/Travel Grant, Princeton, NJ.
Yaddo Artist Residency, Saratoga Springs, NY.
Photo Ilustration Award, Dear Dave 5, NYC, NY., American Photography 026 Annual, NYC, NY.
2007 Photo Annual Award, magazine category. New York Times Magazine:
“Microbesity-What Makes So Many Fat”.
Lead Award, reportage, Hamburg, Germany.
2005 Lou Stoumen Prize, Museum of Photographic Arts, San Diego, CA.
2004 National Endowment for the Arts Grant, Gary Schneider: Portraits, Harvard University Art Museums,
Boston, MA.
AICA Award, Best Exhibition Mid Career Artist, International Association of Art Critics, Boston, MA.
2002 Buhl Foundation Grant.
2001 American Photography 017, Photo Illustration, The New York Times Magazine, New York, NY.
2000 Alfred Eisenstaedt Award, Science and Technology, Photo Essay, Columbia University/Life Magazine,
NY, NY.
American Photography 016, Photo Illustration, The New York Times Magazine, New York, NY.
1979 Hy Goldman Memorial Grant, Pratt institute, Brooklyn, NY.
1977 Irma Stern Scholarship Fine Art Grant for Studies Abroad, Michaelis School of fine Art,
Cape Town, South Africa.
TEACHING
2007-- present Lecturer, Princeton University, Princeton, NJ.
2006 – present Artist in Residence, Stony Brook University, Stony Brook, NY.
2005 Distinguished Visiting Graduate Professor, photography,
Virginia Commonwealth University, Richmond, VA.
1989 - 2005 Adjunct professor, The Cooper Union, NYC, NY.
2003 International Center of Photography/ Bard University, Graduate Master Class, NYC, NY.
1988 - 1989 Advanced photography instructor School of Visual Arts Graduate Program, NYC, NY.
1987 - 1989 Advanced photography instructor International Center of Photography, NYC, NY.
MUSEUM COLLECTIONS INCLUDE
Art Institute of Chicago, Chicago, IL.
Brooklyn Museum of Art, Brooklyn, NY.
Buhl Foundation, New York, NY.
Chrysler Museum of Art, Norfolk, VA.
Contemporary Museum, Honolulu, Hawaii.
Fogg Art Museum, Harvard University, Cambridge, MA.
George Eastman House, Rochester, NY.
Guggenheim Museum, New York, NY.
Hallmark Collection, Kansas City, MO.
Hood Art Museum, Dartmouth College, Hanover, NH.
International Center of Photography, New York, NY.
Joy of Giving Something Foundation, New York, NY.
LaSalle Bank, Chicago, IL.
Light Work, Syracuse, NY.
Metropolitan Museum of Art, New York, NY.
MoPA, San Diego, CA.
Musee de l’Elysee, Lausanne, Switzerland.
Museum of Contemporary Photography, Chicago, IL.
Museum of Fine Art, Boston, MA.
Museum of Fine Art, Houston, TX.
National Gallery of Canada, Ottawa, Canada.
Rose Art Museum, Brandeis University, Waltham, MA.
Whitney Museum of American Art, New York, NY.
Wooster Art Museum, Wooster, MA.
Yale University Art Gallery, New Haven, CT.
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