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Genetic Self-Portrait
RESUME:
ONE PERSON EXHIBITIONS
2008 “Flesh: The Portraiture of Gary Schneider.”, curator Carol McCusker, Museum of Photographic Art, San Diego, CA.
2007 “Gary Schneider: Genetic Self-Portrait”, curator Jeff Hoone, The Warehouse Gallery, Syracuse, NY.
2004 “Gary Schneider: Portraits”, curator Deborah Martin Kao, Harvard University Art Museums, Boston, MA. / Contemporary Museum, curator James F. Jensen, Honolulu, Hawaii. (2004).
“Gary Schneider: Biology”, Suzanne H. Arnold Art Gallery, Lebanon Valley College, Annville, PA.
2003 “Genetic Self-Portrait”, University Art Museum, SUNY, Albany, NY.
“Genetic Self-Portrait”, curator Amy Vigilante Dickerson, University Galleries, University of Florida, Gainesville, FL.
2000 “Genetic Self-Portrait”, curator Edward Earle, International Center of Photography, NYC, NY.
1998 “Genetic Self-Portrait”, curator William A. Ewing, Musee de l’Elysee, Lausanne, Switzerland.
GROUP EXHIBITIONS
2007 “The Art & Artifice of Science”, curator Laura Addison, Museum of New Mexico, Santa Fe, NM.
2006 “Refocusing Realities”, Galerie Nei Liicht, curator Paul di Felice, Luxembourg.
2005 “Future Face”, curator Sandra Kemp”, The Science Museum, London, England. National Museum of Natural Science, Taichung, Taiwan.
2003 “Genetic Expressions: Art after DNA”, Heckscher Museum of Art, Huntington, NY.
2001 “Under the Skin”, curator Dr. Soeke Dinkla, Wilhelm Lehmbruck Museum Duisburg, Duisburg, Germany.
“Identities: Contemporary Portraiture”, New Jersey Center for Visual Arts, Summit, NJ.
2000 “Le Siecle Du Corps”, curator William A. Ewing, Musee de L’Elysee Lausanne, Lausanne, Switzerland.
“Paradise Now”, Exit Art, NYC, NY. / Tang Museum, Skidmore College, Saratoga, NY. (2001)
“Unnatural Science”, curator Laura Heon, Mass MoCA, North Adams, MA. (Full Genetic Self-Portrait installation).
1999 “Reflections on the Artist”, curator Lori Pauli, National Gallery of Canada, Ottawa. (Full G.S-P installation).
“Century of the Body: Photoworks 1900 to 1999”, curator William A. Ewing, Culturgest, Lisbon, Portugal. (Full Genetic Self-Portrait installation).
1998 “The Body in the Mirror”, The Photographic Center of Skopelos, Larissa, Greece. (Full Genetic Self-Portrait installation). / Musee de l’Elysee Lausanne, Lausanne, Switzerland. (1999)
“Out of Sight”, curator Karen Sinsheimer, Santa Barbara Museum,Santa Barbara,CA. (Full Genetic Self-Portrait installation).
SOLO PUBLICATIONS
2007 Brochure. “Gary Schneider: Genetic Self-Portrait”, essay by Jeffrey Hoone, The Warehouse Gallery, Syracuse, NY.
2004 Catalogue. “Gary Schneider: Portraits”, essay by Deborah Martin Kao, published by Yale University Press, New Haven, CT., and HUAM, Cambridge, MA. Reproductions.yalepress.yale.edu/yupbooks/book.asp
1999 Book. “Genetic Self-Portrait”. Essays by Ann Thomas, Lori Pauli, and Bettyann Kevles. Light Work,Syracuse, NY. www.lightwork.org/store/product178.html
www.photoeye.com/bookstore/mSearchResults_Amazon2.cfm
BIBLIOGRAPHY
2010 Book. McDaniel, Craig and Robertson, Jean. “Themes of Contemporary Art: Visual Art after 1980”, Oxford University Press, NYC, NY. Reproduction, p.241, 252, 253.
2009 Book. Reichle, Ingeborg, “Art in the Age of Technoscience”, Springer-Verlag/Wien, Austria. Reproductions, p.44,45,242-249.
Book. Miah, Andy. “Human Futures”, Liverpool University Press, Liverpool, UK. Reproductions, p.89-91.
2008 Review. Pincus, Robert L. Union-Tribune. San Diego, CA., June 1. Reproductions.
2007 Catalogue. A New Reality, Jane Voorhees, Zimmerli Art Museum Rutgers, New Brunswick, NJ. Reproductions, p.53.
Catalogue. "The Art & Artifice of Science", Laura Addison , Museum of New Mexico, Santa Fe, NM. Reproductions, p.68-69
2006 Catalogue. Di Felice, Paul. “Refocusing Realities”, Galerie Nei Liicht, Luxembourg. Reproductions.
Catalogue. “Self-Evidence: Identity in Contemporary Art”, DeCordova Museum, Lincoln, MA. Reproduction,p.8.
2005 Book. Hoy, Anne. “Book of Photography”, National Geographic, Washington, DC. Reproductions, p.410-411, 419-420.
Article. Fairbrother, Trevor. “Gary Schneider: Facing Time”, Art in America, NYC, NY. February. Reproductions, p.112-115,143.
Book. Reichle, Inbeborg. “Kunst Aus Dem Labor”, Berlin, Germany. Reproductions, 42, 220-223.
2004 Article. Law-Viljoen, Bronwyn. “Bodies of Meaning”, Art South Africa, Capetown, SA. Vol.3,Issue1. Reproduction, p.23
Article. Ribbat, Christophe. “Glucklich in Bio”. Photonews, Germany, June. Reproductions, p.16.
Article. Boxer, Sarah. “When the Artist is the Curiosity Cabinet”, The New York Times – Arts and Leisure, NYC, NY. April 25. Reproductions, p. 30.
Interview. Wolff, Denise. “Finding Gary Schneider”, photo-eye , Santa Fe, NM. Summer. Reproductions, p.26-28.
Catalogue. “Self-Evidence: Identity in Contemporary Art”, DeCordova Museum and Sculpture Park, Lincoln, MA. Reproductions, p. 8.
Catalogue. “I-den-ti-ty Doc-u-ment”, Clockwork-Apple Gallery, NYC, NY. Reproduction.
2002 Catalogue. “Translations/Transgressions”, Fine Art Center, University of Rhode Island, RI. Reproductions, p.17.
Book. Marien, Mary Warner. “ Photography: A Cultural History”. Laurence Hill Press, London, England. Reproductions, p. 480 and 482.
Catalogue. "Paradise Now", Tang Museum, Skidmore College, Saratoga Springs, NY. Reproduction, p.94,95.
Review. Loke, Margaret. “Making Artful Images Out of Science”, The New York Times, NY, January 25, p. E41.
2001 Article. Waterman, Jill. “Gary Schneider: Genetic Self-Portrait”, Spot, Houston, TX. Spring/Summer Reproductions, p. 14,15.
Catalogue. “Under the Skin”, Wihelm Lehmbruck Museum Duisburg, Duisburg, Germany.
2000 Catalogue. “Surface and Depth”, Hood Museum of Art. Dartmouth College, Hanover, NH. Reproductions.
Article. Pollack, Barbara. “The Genetic Esthetic”, Artnews, New York, NY. April.Volume 99, #4. Reproductions, p. 133-137, plus cover.
Article. “Best Essay Depicting Science”. Life Magazine, Spring 2000, New York, NY. Reproductions, p. 36,37
Review. Loke, Margarett. “Beauty in the Eye (and the Fingertip)”, The New York Times, NY. March 17,Reproduction, p.E38.
Catalogue, “Unnatural Science”, MASS MoCA, North Adams, MA. Essay and reproductions.
Article. Waterman, Jill. “Gary Schneider’s Self Scrutiny”, ArtsMedia, Boston, MA.April 15-May 15 Reproduction, p. 31.
1999 Article. Wilford, John Noble. ”InsideOut: Genetic Self-Portrait by Gary Schneider”, The New York Times Magazine, New York, NY. Oct. 17,1999. Reproductions, p. 106-113.
Review. Riding, Alan. “Thru a lens, the Body’s Many Guises Multiply”, The New York Times, Nov.28,NY. p.44.
Catalogue, “Reflections of the Artist”, National Gallery of Canada,Ottawa, essay and reproductions.
Book. “High tech-High touch”, Naisbitt and Philips, Broadway Books, Random House, New York,NY, pages 200-202.
Review. Mitchinson, Paul. The National Post, Toronto, Canada, October 2. Reproductions, p. 6.
Review. Gessell, Paul.”Exposing the Artist” The Ottawa Citizen, Ottawa, Canada. October, 11.
Letter. Thomas, Ann. The Ottawa Citizen, Ottawa, Canada, October, 25.
Article.Smith, Roberta. The New York Times, Arts & Leisure, February 14. Reproduction, p. 39.
1998 Review. Goldberg,Vicki. The New York Times. New York, NY., May 24. Reproductions, p. 33.
Review. Debraine,Luc. “Gary Schneider Explore L’Extreme Inyimite de son Corps”, Le Temps, Geneva, Switz. April 12. Reproduction, p. 42.
AWARDS
2000 Alfred Eisenstaedt Award: Science and Technology, Photo Essay, Columbia University/Life Magazine, NYC, NY.
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